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NordArt is an international contemporary art exhibition and a non-profit cultural initiative of the ACO Group and the cities of Büdelsdorf and Rendsburg. It has taken place annually in the summer since 1999 at Carlshütte, a former iron foundry. The site features 22,000 m² of interior space and 60,000 m² for outdoor installations.
The British NART was re-standardized in 1991 to enable calculation of predicted IQ on the newer WAIS-R [3] and again in 2016 to provide premorbid estimates on the most recent WAIS-IV. [4] There are two versions of the NART devised for use in North America ; both feature a modified word list and re-standardization of predicted IQ.
Formline art is a feature in the Indigenous art of the Northwest Coast of North America, distinguished by the use of characteristic shapes referred to as ovoids, U forms and S forms. Coined by Bill Holm in his 1965 book Northwest Coast Indian Art: An Analysis of Form, [1][2] the "formline is the primary design element on which Northwest Coast ...
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Dichloroaniline. Dichloroanilines are chemical compounds which consist of an aniline ring substituted with two chlorine atoms and have the molecular formula C 6 H 5 Cl 2 N. There are six isomers, varying in the positions of the chlorine atoms around the ring relative to the amino group. As aniline derivatives, they are named with the amino ...
In 1876–1877, Edvard Grieg arranged this sonata for two pianos, by adding further accompaniment on the second piano part, whilst the first piano part plays the original as Mozart wrote it. [3] Grieg's intent was to "impart to several of Mozart's sonatas a tonal effect appealing to our modern ears".
In four-dimensional geometry, the rectified 5-cell is a uniform 4-polytope composed of 5 regular tetrahedral and 5 regular octahedral cells. Each edge has one tetrahedron and two octahedra. Each edge has one tetrahedron and two octahedra.
The Dancing Girl of Izu or The Izu Dancer (伊豆の踊子, Izu no odoriko) is a short story [1] [2] [3] (or, accounting for its length, a novella) [4] [5] [6] by Japanese writer and Nobel Prize winner Yasunari Kawabata first published in 1926.