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Oral Interpretation is a dramatic art, also commonly called "interpretive reading" and "dramatic reading", though these terms are more conservative and restrictive. In certain applications, oral interpretation is also a theater art – as in reader's theater, in which a work of literature is performed with manuscripts in hand or, more ...
Lanser argues that the short story was a "particularly congenial medium for such a re-vision ... because the narrator herself engages in a form of feminist interpretation when she tries to read the paper on her wall". The narrator in the story is trying to find a single meaning in the wallpaper.
Dramatic Interpretation (often shortened to "Dramatic Interp," "Drama" or just "DI") is an event in National Speech and Debate Association (and NSDA-related) high school forensics competitions. In the National Christian Forensics and Communications Association and the National Catholic Forensic League, the event is combined with Humorous ...
Understanding Poetry was an American college textbook and poetry anthology by Cleanth Brooks and Robert Penn Warren, first published in 1938. The book influenced New Criticism and went through its fourth edition in 1976. The textbook "widely influenced ... the study of poetry at the college level in America." [1]
Essay of Dramatick Poesie. John Dryden ' s Essay of Dramatick Poesy [1] was likely written in 1666 during the Great Plague of London and published in 1668. Dryden's claim in this essay was that poetic drama with English and Spanish influence [2] is a justifiable art form when compared to traditional French poetry. [3]
Literary adaptation. Literary adaptation is adapting a literary source (e.g. a novel, short story, poem) to another genre or medium, such as a film, stage play, or video game. It can also involve adapting the same literary work in the same genre or medium just for different purposes, e.g. to work with a smaller cast, in a smaller venue (or on ...
(b) Dramatic poetry calls for special care – as to character drawing, propriety of representation, length of a play, number of actors, use of the chorus and its music, special features for the satyric type, verse-forms, and employment of Greek models (ll. 153–294).
The poems in Dramatis Personae are dramatic, with a wide range of narrators. The narrator is usually in a situation that reveals to the reader some aspect of his personality. Instead of speeches that are intended for others' ears, most are soliloquies. They are generally darker than the poems found in Men and Women, his previous collection, and ...
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