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Amada Elsa López Rodríguez was born and lived in Fernando Poo (now Bioko ), Equatorial Guinea [2] until 1947, the year she moved to the island of La Palma, Canary Islands. [3] In 1955 she moved to Madrid where she began Baccalaureate studies. [4]
Historia de la eternidad (A history of eternity) Las kenningar (The Kenningars) La metáfora (Metaphor) La doctrina de los ciclos (Cycles' doctrine) El tiempo circular (Circular time) Los traductores de las mil y una noches (The translators of One Thousand and One Nights): El capitán Burton (Captain Burton) El doctor Mardrus (Doctor Mardrus)l ...
...y no se lo tragó la tierra is a 1971 Tomás Rivera novel, most recently translated to English as ...And the Earth Did Not Devour Him.It is made up of fourteen short stories and thirteen vignettes.
ISBN. 978-0226468013. Metaphors We Live By is a book by George Lakoff and Mark Johnson published in 1980. [1] [2] The book suggests metaphor is a tool that enables people to use what they know about their direct physical and social experiences to understand more abstract things like work, time, mental activity and feelings.
Conceptual metaphor. In cognitive linguistics, conceptual metaphor, or cognitive metaphor, refers to the understanding of one idea, or conceptual domain, in terms of another. An example of this is the understanding of quantity in terms of directionality (e.g. "the price of peace is rising ") or the understanding of time in terms of money (e.g.
An 18-year-old woman died after she was shot on the campus of Delaware State University on Sunday, authorities said. Dover police said officers responded at about 1:40 a.m. to a report of shots on ...
The term metaphor is used to describe more basic or general aspects of experience and cognition: A cognitive metaphor is the association of object to an experience outside the object's environment. A conceptual metaphor is an underlying association that is systematic in both language and thought.
14th century. The Trickster of Seville and the Stone Guest ( Spanish: El burlador de Sevilla y convidado de piedra) is a play traditionally attributed to Tirso de Molina, although several scholars now attribute it to Andrés de Claramonte. Its title varies according to the English translation, and it has also been published under the titles The ...