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The music industry refers to the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the ...
The industry was driven by the profits from the sales of sheet music. A piano was considered a must in any middle-class or higher home. Major 19th century Tin Pan Alley hits included "Only a Bird in a Gilded Cage" and "After the Ball Is Over". References. Struble, John Warthen. The History of American Classical Music. 1995.
Artists and repertoire (or A&R for short) is the division of a record label or music publishing company that is responsible for scouting and overseeing the artistic development of recording artists and songwriters. [1] It also acts as a liaison between artists and the record label or publishing company. Every activity involving artists to the ...
Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Nigerian music or the history of rock ).
In its most general form, the activities describing music as an art form or cultural activity include the creation of works of music ( songs, tunes, symphonies, and so on), the criticism of music, the study of the history of music, and the aesthetic examination of music. Ancient Greek and Indian philosophers defined music in two parts: melodies ...
A William Hogarth painting based on The Beggar's Opera (c. 1728), a key antecedent of musical theatre. Development of musical theatre refers to the historical development of theatrical performance combined with music that culminated in the integrated form of modern musical theatre that combines songs, spoken dialogue, acting and dance.
"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."
The book is an attempt to chart the history of industrial music as a genre from its early influences (including art music, Italian Futurism, Situationism, and the works of Antonin Artaud and William S. Burroughs) to the present day (including its connections to political radicalism, the gothic subculture, and dance music).