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A wax sculpture is a depiction made using a waxy substance. Often these are effigies, usually of a notable individual, but there are also death masks and scenes with many figures, mostly in relief. The properties of beeswax make it an excellent medium for preparing figures and models, either by modeling or by casting in molds. It can easily be ...
Lost-wax casting – also called investment casting, precision casting, or cire perdue ( French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
The Lost Wax. Christ of St. John of the Cross (also known as The Lost Wax) is a sculpture by Salvador Dalí created in 1979 as the model for a series of platinum, gold, silver, and bronze reliefs. The original wax sculpture and the reliefs created from it are three-dimensional iterations of Dalí's 1951 painting, Christ of Saint John of the ...
A wax museum or waxworks usually consists of a collection of wax sculptures representing famous people from history and contemporary personalities exhibited in lifelike poses, wearing real clothes. Some wax museums have a special section dubbed the "Chamber of Horrors", in which the more grisly exhibits are displayed.
Pages in category "Wax sculptures". The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes . Wax sculpture.
Madame Tussauds is a wax museum that was founded in 1835 in London, which means it has a long history of creating wax sculptures. The museum's creations haven't always been enthusiastically ...
The original wax sculpture at the National Gallery of Art, Washington, D.C. The Little Fourteen-Year-Old Dancer (French: La Petite Danseuse de Quatorze Ans) is a sculpture begun c. 1880 by Edgar Degas of a young student of the Paris Opera Ballet dance school, a Belgian named Marie van Goethem .
Horse and Rider is a beeswax sculpture depicting a rider on a horse. The history of the sculpture is unknown before the 20th century. The work has been attributed to Leonardo da Vinci by the Italian art historian Carlo Pedretti, though most historians have ignored or denied the attribution. A number of casts have been made, using a mold taken ...
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