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  2. Beginners (short story collection) - Wikipedia

    en.wikipedia.org/wiki/Beginners_(short_story...

    ISBN. 9780224089296. OCLC. 799539673. Beginners is the title given to the manuscript version of Raymond Carver 's 1981 short story collection What We Talk About When We Talk About Love, published with the permission of Carver's widow Tess Gallagher in 2009.

  3. The Thirty-Six Dramatic Situations - Wikipedia

    en.wikipedia.org/wiki/The_Thirty-Six_Dramatic...

    The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.

  4. A Drama in the Air - Wikipedia

    en.wikipedia.org/wiki/A_Drama_in_the_Air

    "A Drama in the Air" (French: "Un drame dans les airs") is an adventure short story by Jules Verne. The story was first published in August 1851 under the title "Science for families. A Voyage in a Balloon" (French: "La science en famille. Un voyage en ballon") in Musée des familles with five illustrations by Alexandre de Bar.

  5. Magic for Beginners (short story collection) - Wikipedia

    en.wikipedia.org/wiki/Magic_for_Beginners_(short...

    978-1931520157. Magic for Beginners is a collection of nine works of fantasy and light horror short fiction by American writer Kelly Link, released by Small Beer Press in 2005. The stories were all previously published in other venues from 2002 to 2005. The book won the 2006 Locus Award for best short story collection.

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  7. A Guide to Berlin (short story) - Wikipedia

    en.wikipedia.org/.../A_Guide_to_Berlin_(short_story)

    Plot summary. In the story the narrator recounts to a friend his visit to the Berlin zoo. In the short sections--"The Pipes," "The Streetcar," "Work," "Eden," and "The Pub"—he describes everyday aspects of life in the city in vivid, typically Nabokovian, detail. In "The Streetcar," he adumbrates his vision of the purpose of "literary creation":

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