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Radio drama (or audio drama, audio play, radio play, [1] radio theatre, or audio theatre) is a dramatized, purely acoustic performance. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a ...
The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such ...
Karpman drama triangle. The Karpman drama triangle is a social model of human interaction proposed by San Francisco psychiatrist Stephen B. Karpman in 1968. The triangle maps a type of destructive interaction that can occur among people in conflict. [1] The drama triangle model is a tool used in psychotherapy, specifically transactional analysis.
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a very strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action.
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival ...
Prolific in the form were, for example, Michael Field and Gordon Bottomley. Dramatic poetry in general. Dramatic poetry is any poetry that uses the discourse of the characters involved to tell a story or portray a situation. The major types of dramatic poetry are those already discussed, to be found in plays written for the theatre, and libretti.
Khameera Illahi ( Zaib Rehman) is a strict and serious matriarch of the haveli, having three sons and two daughters. Muzaffar ( Abid Ali ), her husband, an unethical man who doesn't care for his family, gets his son from another woman, Israr, to the haveli. Although Khameera lets him stay in the haveli, nobody accepts him in the family.