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  2. Do-Re-Mi - Wikipedia

    en.wikipedia.org/wiki/Do-Re-Mi

    Do-Re-Mi. " Do-Re-Mi " is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.

  3. Solmization - Wikipedia

    en.wikipedia.org/wiki/Solmization

    The seven syllables normally used for this practice in English-speaking countries are: do, re, mi, fa, sol, la, and ti (with sharpened notes of di, ri, fi, si, li and flattened notes of te, le, se, me, ra). The system for other Western countries is similar, though si is often used as the final syllable rather than ti.

  4. Solfège - Wikipedia

    en.wikipedia.org/wiki/Solfège

    Solfège. In music, solfège ( / ˈsɒlfɛʒ /, French: [sɔlfɛʒ]) or solfeggio ( / sɒlˈfɛdʒioʊ /; Italian: [solˈfeddʒo] ), also called sol-fa, solfa, solfeo, among many names, is a mnemonic used in teaching aural skills, pitch and sight-reading of Western music. Solfège is a form of solmization, though the two terms are sometimes ...

  5. Shape note - Wikipedia

    en.wikipedia.org/wiki/Shape_note

    Next, they sing the same notes to the words of the music. The syllables and notes of a shape note system are relative rather than absolute; they depend on the key of the piece. The first note of a major key always has the triangular Fa note, followed (ascending) by Sol, La, etc. The first note of a minor key is always La, followed by Mi, Fa, etc.

  6. Ut queant laxis - Wikipedia

    en.wikipedia.org/wiki/Ut_queant_laxis

    Structure. The hymn uses classical metres: the Sapphic stanza consisting of three Sapphic hendecasyllables followed by an adonius (a type of dimeter).. The chant is useful for teaching singing because of the way it uses successive notes of the scale: the first six musical phrases of each stanza begin on a successively higher notes of the hexachord, giving ut–remifasola; though ut ...

  7. Numbered musical notation - Wikipedia

    en.wikipedia.org/wiki/Numbered_musical_notation

    Numbers 1 to 7 represent the musical notes (more accurately the scale degrees ). They always correspond to the diatonic major scale. For example, in the key of C, their relationship with the notes and the solfège is as follows: In G : When the notes are read aloud or sung, they are called "do, re, mi, fa, sol, la, si".

  8. Musical note - Wikipedia

    en.wikipedia.org/wiki/Musical_note

    Fixed do uses the syllables remifa–sol–lati specifically for the C major scale, while movable do labels notes of any major scale with that same order of syllables. Alternatively, particularly in English- and some Dutch-speaking regions, pitch classes are typically represented by the first seven letters of the Latin alphabet (A, B ...

  9. Degree (music) - Wikipedia

    en.wikipedia.org/wiki/Degree_(music)

    The word subtonic is used when the interval between it and the tonic in the upper octave is a whole step; leading note is used when that interval is a half-step. by their name according to the movable do solfège system: do, re, mi, fa, so(l), la, and si (or ti).