Search results
Results from the WOW.Com Content Network
Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found. [1] The origin of the word itself is in the Latin "improvisus", which literally means un-foreseen. Improvisation in the performing arts is a very spontaneous performance without specific or scripted ...
Among the most-commonly cited of Pinter's comments on his own work are his remarks about two kinds of silence ("two silences"), including his objections to "that tired, grimy phrase 'failure of communication'," as defined in his speech to the National Student Drama Festival in Bristol in 1962, incorporated in his published version of the speech entitled "Writing for the Theatre":
Improvisational theatre. Improvisational theatre, often called improvisation or improv, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted, created spontaneously by the performers. In its purest form, the dialogue, action, story, and characters are created collaboratively by the players as ...
Parascenium: in a Greek theatre, the wall on either side of the stage, reaching from the back wall to the orchestra. Parquet: ground floor of a theatre, often main seating section, directly in front of the stage. Part: a character; the portion of the script intended for one character. Parterre: the upper part of the main seating. Usually behind ...
Angel: An individual or organization which provides financial support for a production. [2] Apron: The front area of the stage, nearest the audience; the portion of the stage in front of proscenium arch. [2] Aside: A line spoken by an actor/actress directly to the audience, unheard by the other performers on-stage. [2]
Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters. It typically features repetition and antithesis. [3]
The well-made play (French: la pièce bien faite, pronounced [pjɛs bjɛ̃ fɛt]) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely standardised structure, with little emphasis on characterisation and intellectual ideas.
Classical acting is a traditional type of acting which is centered around the external behavior of the performer. Classical acting differs from newer styles of acting, as it is developed around the ideas of the actor themselves which includes their expression of the body, voice, imagination, personalizing, improvisation, external stimuli, and script analysis.