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Origins of Roman theatre. Rome was founded as a monarchy under Etruscan rule, and remained as such throughout the first two and a half centuries of its existence. Following the expulsion of Rome's last king, Lucius Tarquinius Superbus, or "Tarquin the Proud," circa 509 BC, Rome became a republic and was henceforth led by a group of magistrates elected by the Roman people.
Tales of a Fourth Grade Nothing is a children's novel written by American author Judy Blume and published in 1972. [1] It is the first in the Fudge series and was followed by Otherwise Known as Sheila the Great, Superfudge, Fudge-a-Mania, and Double Fudge (2002). [1] [2] Although Otherwise Known as Sheila the Great features many of the same ...
Theatre of ancient Greece. Bronze statue of a Greek actor, 150–100 BC. The half-mask over the eyes and nose identifies the figure as an actor. He wears a man's conical cap but female garments, following the Greek custom of men playing the roles of women. Later, slave women were brought in to play minor female characters and in comedy as well.
List of ancient Greek playwrights. Thespis (c. 6th century BC): Aeschylus (c. 525–456 BC): The Persians (472 BC) Seven Against Thebes (467 BC) The Suppliants (463 BC) The Oresteia (458 BC, a trilogy comprising Agamemnon, The Libation Bearers and The Eumenides .) Prometheus Bound (authorship and date of performance is still in dispute)
Medieval theatre. Nineteenth–century engraving of a performance from the Chester mystery play cycle. Medieval theatre encompasses theatrical in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering ...
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
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