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The reason for this is to test AP Music Theory students in their ability to distinguish between simple and compound time signatures, as well as being able to read bass clef and treble clef. The second type of listening-based question is harmonic dictation. A four-part texture, utilizing SATB, is played four times.
The four voices ( SATB) each follow independent melodic lines (with some differences in rhythm) that together create a chord progression ending on a Phrygian half cadence. Voice leading (or part writing) is the linear progression of individual melodic lines ( voices or parts) and their interaction with one another to create harmonies, typically ...
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period ).
In modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Music theory is often concerned with abstract musical aspects such as tuning and tonal systems, scales, consonance and dissonance, and rhythmic relationships. In addition, there is also a body of theory concerning practical aspects ...
Timing in music refers to the ability to "keep time" accurately and to synchronise to an ensemble, [1] as well as to expressive timing —subtle adjustment of note or beat duration, or of tempo, for aesthetic effect. Research in music cognition has shown that time as a subjective structuring of events in music, differs from the concept of time ...
Music psychology is a field of research with practical relevance for many areas, including music performance, composition, education, criticism, and therapy, as well as investigations of human attitude, skill, performance, intelligence, creativity, and social behavior . Music psychology can shed light on non-psychological aspects of musicology ...
The fundamental concept of musical set theory is the (musical) set, which is an unordered collection of pitch classes. [4] More exactly, a pitch-class set is a numerical representation consisting of distinct integers (i.e., without duplicates). [5] The elements of a set may be manifested in music as simultaneous chords, successive tones (as in ...
Interval vector: C major chord, set 3-11B, {0,4,7}: 001110. In musical set theory, an interval vector is an array of natural numbers which summarize the intervals present in a set of pitch classes. (That is, a set of pitches where octaves are disregarded.) Other names include: ic vector (or interval-class vector), PIC vector (or pitch-class ...