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Medieval theatre encompasses theatrical in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period. A broad spectrum of genres needs to be ...
The mystery play developed, in some places, into a series of plays dealing with major events in the Christian calendar, from the Creation to the Day of Judgment. By the end of the 15th century, the practice of acting these plays in cycles on festival days was established in several parts of Europe.
The 1522 cover of Mundus et Infans, a morality play. The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who ...
The history of theatre charts the development of theatre over the past 2,500-2,600 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment, and theatrical or performative elements in other activities.
Medieval literature is a broad subject, encompassing essentially all written works available in Europe and beyond during the Middle Ages (that is, the one thousand years from the fall of the Western Roman Empire ca. AD 500 to the beginning of the Renaissance in the 14th, 15th or 16th century, depending on country). The literature of this time ...
The Somonyng of Everyman (The Summoning of Everyman), usually referred to simply as Everyman, is a late 15th-century morality play by an anonymous English author, printed circa 1530. It is possibly a translation of the Dutch play Elckerlijc (Everyman). Like John Bunyan 's 1678 Christian novel The Pilgrim's Progress, Everyman uses allegorical ...
Mankind. (play) Mankind is an English medieval morality play, written c. 1470. The play is a moral allegory about Mankind, a representative of the human race, and follows his fall into sin and his repentance. Its author is unknown; the manuscript is signed by a monk named Hyngham, believed to have transcribed the play.
Statues of Pantalone and Harlequin, two stock characters from the Commedia dell'arte, in the Museo Teatrale alla Scala, Milan. The theatre of Italy originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in Southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome.