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Musical theatre. The Black Crook was a hit musical on Broadway in 1866. [1] Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the ...
Susan Glaspell's adaptation "A Jury of Her Peers" is a story version of her play Trifles. This short story is similar to Trifles. Trifles, a chamber opera in one act, premiered in Berkeley, California, at the Live Oak Theatre on June 17 and 19, 2010 was composed by John G. Bilotta and its libretto was written by John F. McGrew.
M. Madame Butterfly (play) The Man Who Shot Liberty Valance (stage play) The Masque of the Red Death (play) Minick. My Heart's in the Highlands (play) My Sister Eileen (play)
The tragedy usually begins with a prologue, (from pro and logos, "preliminary speech") in which one or more characters introduce the drama and explain the background of the ensuing story. The prologue is followed by the parodos (entry of the characters/group) (πάροδος), after which the story unfolds through three or more episodes ...
T. The Tale of Hongxian. The Tale of Huo Xiaoyu. Tale of the Transcendent Marriage of Dongting Lake. Toba Tek Singh (short story) The Turning (short story collection)
Theatre of ancient Greece. Bronze statue of a Greek actor, 150–100 BC. The half-mask over the eyes and nose identifies the figure as an actor. He wears a man's conical cap but female garments, following the Greek custom of men playing the roles of women. Later, slave women were brought in to play minor female characters and in comedy as well.
The Short Stories of F. Scott Fitzgerald is a compilation of 43 short stories by F. Scott Fitzgerald. It was edited by Matthew J. Bruccoli and published by Charles Scribner's Sons in 1989. It begins with a foreword by Charles Scribner II and a preface written by Bruccoli, after which the stories follow in chronological order of publication.
In the 18th century, melodrama was a technique of combining spoken recitation with short pieces of accompanying music. Music and spoken dialogue typically alternated in such works, although the music was sometimes also used to accompany pantomime. The earliest known examples are scenes in J. E. Eberlin's Latin school play Sigismundus (1753).
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