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Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
The Pitchfork Disney. The Poltergeist (play) Post-Mortem (Coward play) The Pot Maker. The Problem (play) Prodigals (play) A Provincial Lady. Purgatory (drama) The Purple Flower.
Epilogue. An epilogue or epilog (from Greek ἐπίλογος epílogos, "conclusion" from ἐπί epi, "in addition" and λόγος logos, "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. [1] It is presented from the perspective of within the story. When the author steps in and speaks ...
Improvisational theatre. Improvisational theatre, often called improvisation or improv, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted, created spontaneously by the performers. In its purest form, the dialogue, action, story, and characters are created collaboratively by the players as ...
Mother Courage and Her Children. Mother Courage and Her Children ( German: Mutter Courage und ihre Kinder) is a play written in 1939 by the German dramatist and poet Bertolt Brecht (1898–1956), with significant contributions from Margarete Steffin. [1] Four theatrical productions were produced in Switzerland and Germany from 1941 to 1952, the ...
Stories within stories can be used simply to enhance entertainment for the reader or viewer, or can act as examples to teach lessons to other characters. [2] The inner story often has a symbolic and psychological significance for the characters in the outer story. There is often some parallel between the two stories, and the fiction of the ...
The Zoo Story is a one-act play by American playwright Edward Albee. His first play, it was written in 1958 and completed in just three weeks. [1] The play explores themes of isolation, loneliness, miscommunication as anathematization, social disparity and dehumanization in a materialistic world. Today, professional theatre companies can ...
The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century ...