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Typefaces based upon their style of writing appear late in the eighteenth century and early nineteenth century. Contemporary revivals of formal script faces can be seen in Kuenstler Script and Matthew Carter 's typeface Snell Roundhand. These typefaces are frequently used for invitations and diplomas to effect an elevated and elegant feeling.
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
Download as PDF; Printable version; In other projects Appearance. move to sidebar hide. This is a list of script typefaces. This list details standard ...
Aisha (Arabic, Latin) Aparajita (Angika, Bhojpuri, Bodo and other Indian languages) Arek (Armenian, Latin) Arial (Used in English, Arabic, Hebrew and other languages) [2] Avory (Cyrillic, Greek, Latin) Awami Nastaliq features a more extensive character set than most Nastaliq typefaces, supporting: Urdu, Balochi, Farsi (Iranian Persian), Khowar ...
Comic Sans Pro is an updated version of Comic Sans created by Terrance Weinzierl from Monotype Imaging. While retaining the original designs of the core characters, it expands the typeface by adding new italic variants, in addition to swashes, small capitals, extra ornaments and symbols including speech bubbles, onomatopoeia and dingbats, as well as text figures and other stylistic alternatives.
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
Default interface typeface for Windows 3.0 to Windows XP, derived from DynaLab's DLCMing typeface. Originally distributed as a raster typeface in the Traditional Chinese version of Windows 3.0, then it was available in TrueType format as 'MingLi43' in the Traditional Chinese version of Windows 3.1.
Mistral is a casual script typeface designed by Roger Excoffon for the Fonderie Olive type foundry, and released in 1953. [1] The Amsterdam Type foundry released a version in 1955. Excoffon based the form of the typeface on his own handwriting. The stroke has an informal graphic quality similar to brush and ink.
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