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Nadaswaram. The nadaswaram[note 1] is a double reed wind instrument from South India. [1] It is used as a traditional classical instrument in Tamil Nadu, Andhra Pradesh, Telangana, Karnataka and Kerala [2] and in the northern and eastern parts of Sri Lanka. This instrument is "among the world's loudest non-brass acoustic instruments". [3]
Nasheed. A Nasheed (Arabic: نَشِيد, romanized: nashīd, lit. 'chant', plural Arabic: أَنَاشِيد, romanized: anāshīd) is a work of vocal music, partially coincident with hymns, that is either sung a cappella or with instruments, according to a particular style or tradition within Sunni Islam. Nasheeds are popular throughout the ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Elements of music. Music can be analysed by considering a variety of its elements, or parts (aspects, characteristics, features), individually or together. A commonly used list of the main elements includes pitch, timbre, texture, volume, duration, and form. The elements of music may be compared to the elements of art or design.
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Comparing the music of New Orleans with the music of Cuba, Wynton Marsalis observes that tresillo is the New Orleans "clavé", a Spanish word meaning "code" or "key", as in the key to a puzzle, or mystery. [70] Although the pattern is only half a clave, Marsalis makes the point that the single-celled figure is the guide-pattern of New Orleans ...
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [ 1 ]