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Hindi literature ( Hindi: हिन्दी साहित्य, romanized : hindī sāhitya) includes literature in the various Hindi languages which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa like Awadhi, and Marwari languages. Hindi literature is composed in three broad ...
Modern Standard Hindi ( Hindi: आधुनिक मानक हिन्दी, romanized : Ādhunik Mānak Hindī ), [14] commonly referred to as Hindi (Hindi: हिन्दी, [a] Hindī ), is an Indo-Aryan language spoken chiefly in North India, and serves as the lingua franca of the Hindi Belt region encompassing parts of northern ...
Chhayavad. Chhayavad ( Hindi: छायावाद) (approximated in English as "Romanticism", literally "Shaded") refers to the era of Neo-romanticism in Hindi literature, particularly Hindi poetry, 1922–1938, [1] and was marked by an increase of romantic and humanist content. Chhayavad was marked by a renewed sense of the self and personal ...
Above: A page from the Atharvaveda. The Vedas ( / ˈveɪdəz / [4] or / ˈviːdəz /, [5] IAST: veda, Sanskrit: वेदः, lit. 'knowledge') are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism.
Doha (Urdu: دوہا, Hindi: दोहा, Punjabi: ਦੋਹਾ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas, Surdas
Doha is a lyrical verse-format which was extensively used by Indian poets and bards of North India probably since the beginning of the 6th century AD. Dohas of Kabir, Tulsidas, Raskhan, Rahim and the dohas of Nanak called Sakhis are famous. Satasai of Hindi poet, Bihārī, contains many dohas. Dohas are written even now.
Kamasutra 1.2.1, Translator: Ludo Rocher The Kamasutra is a "sutra"-genre text consisting of intensely condensed, aphoristic verses. Doniger describes them as a "kind of atomic string (thread) of meanings", which are so cryptic that any translation is more like deciphering and filling in the text. Condensing a text into a sutra-genre religious text form makes it easier to remember and transmit ...
The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing Rasa in classical Indian dance form is referred to as Rasa-abhinaya. The Nātyasāstra carefully delineates the bhavas used to create each ...