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Thomas D. Rice. " Jump Jim Crow ", often shortened to just " Jim Crow ", is a song and dance from 1828 that was done in blackface by white minstrel performer Thomas Dartmouth (T. D.) "Daddy" Rice. The song is speculated to have been taken from Jim Crow (sometimes called Jim Cuff or Uncle Joe), a physically disabled enslaved African-American ...
Rice's "Jim Crow" character was based on a folk trickster of that name that was long popular among black slaves. Rice also adapted and popularized a traditional slave song called "Jump Jim Crow". The name became used for the "Jim Crow laws" that enforced racial segregation in the Southern United States between the 1870s and 1965.
The Jim Crow persona is a theater character developed by entertainer Thomas D. Rice (1808–1860) and popularized through his minstrel shows. The character is a stereotypical depiction of African-Americans and of their culture. Rice based the character on a folk trickster named Jim Crow that had long been popular among enslaved black people. [1]
Thomas Dartmouth Rice's successful song-and-dance number, "Jump Jim Crow", brought blackface performance to a new level of prominence in the early 1830s. At the height of Rice's success, The Boston Post wrote, "The two most popular characters in the world at the present are [Queen] Victoria of the United Kingdom and Jump Jim Crow."
The origin of the phrase "Jim Crow" has often been attributed to "Jump Jim Crow", a song-and-dance caricature of black people performed by white actor Thomas D. Rice in blackface, first performed in 1828. As a result of Rice's fame, Jim Crow had become by 1838 a pejorative expression meaning "Negro". When southern legislatures passed laws of ...
Every time I wheel about I jump Jim Crow. I wheel about and turn about an do just so, And every time I wheel about I jump Jim Crow. Rice traveled the U.S., performing under the stage name "Daddy Jim Crow". The name Jim Crow later became attached to statutes that codified the reinstitution of segregation and discrimination after Reconstruction.
Similar parodies of Africans had been popular during the late 18th century in England, and they spread across the Atlantic through the efforts of comedians like Charles Mathews, Thomas Rice and George Washington Dixon. Rice remains perhaps the best known, chiefly through the historical importance of his "Jump Jim Crow".
The lyrics of "Jump Jim Crow" from the Bluegrass site (footnotes 4 & 5) are NOT "Bluegrass" lyrics. ... Thomas Rice stated that he got the got the idea from ...