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t. e. A play is a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than mere reading. The creator of a play is known as a playwright. Plays are staged at various levels, ranging from London's West End and New York City's Broadway – the highest echelons of commercial theatre ...
Parascenium: in a Greek theatre, the wall on either side of the stage, reaching from the back wall to the orchestra. Parquet: ground floor of a theatre, often main seating section, directly in front of the stage. Part: a character; the portion of the script intended for one character. Parterre: the upper part of the main seating. Usually behind ...
Angel: An individual or organization which provides financial support for a production. [2] Apron: The front area of the stage, nearest the audience; the portion of the stage in front of proscenium arch. [2] Aside: A line spoken by an actor/actress directly to the audience, unheard by the other performers on-stage. [2]
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Monologue. In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the ...
The term dialogue stems from the Greek διάλογος (dialogos, conversation); its roots are διά (dia: through) and λόγος (logos: speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. [3] Latin took over the word as dialogus. [4]
Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters. It typically features repetition and antithesis. [3]
Among the most-commonly cited of Pinter's comments on his own work are his remarks about two kinds of silence ("two silences"), including his objections to "that tired, grimy phrase 'failure of communication'," as defined in his speech to the National Student Drama Festival in Bristol in 1962, incorporated in his published version of the speech entitled "Writing for the Theatre":