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The Bloody Chamber (or The Bloody Chamber and Other Stories) is a collection of short fiction by English writer Angela Carter. It was first published in the United Kingdom in 1979 by Gollancz and won the Cheltenham Festival Literary Prize. The stories share a theme of being closely based upon fairytales or folk tales. However, Carter has stated:
Creative nonfiction: factual narrative presented in the form of a story so as to entertain the reader. Personal narrative: a prose relating personal experience and opinion to a factual narrative. Essay: a short literary composition, often reflecting the author's outlook or point of view. Position paper.
Comedy drama, also known as the portmanteau dramedy, is a genre of dramatic works that combines elements of comedy and drama. The modern, scripted television examples tend to have more humorous bits than simple comic relief seen in a typical hour-long legal or medical drama but exhibit far fewer jokes per minute as in a typical half-hour sitcom .
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative 's different elements are unified, including in a particularly chosen order and often specifically referring to the ordering of the plot: the narrative series of events. In a play or work of theatre especially, this can be called dramatic ...
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Vignettes can be stand-alone, but they are more commonly part of a larger narrative, such as vignettes found in novels or collections of short stories.  Examples of vignettes include Ernest Hemingway’s In Our Time , Margaret Atwood’s The Female Body , Sandra Cisneros’ The House on Mango Street , and Alice Walker’s The Flowers.
Nonlinear narrative, disjointed narrative, or disrupted narrative is a narrative technique where events are portrayed, for example, out of chronological order or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions or narrating another story inside the main plot-line.