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Dramatic structure (also known as dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of dramatic structures worldwide which have been hypothesized by critics, writers and scholars alike over time. This article covers the range of dramatic structures from around the world.
The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance.  Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
A play is a work of drama, usually consisting mostly of dialogue between characters and intended for theatrical performance rather than just reading. The writer of a play is called a playwright. Plays are performed at a variety of levels, from London's West End and Broadway in New York City – which are the highest level of commercial theatre ...
The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. 
Film portal. v. t. e. A screenplay, or script, is a written work by screenwriters for a film, television show, or video game (as opposed to a stage play ). A screenplay written for television is also known as a teleplay. Screenplays can be original works or adaptations from existing pieces of writing.
The three-act structure is a model used in narrative fiction that divides a story into three parts ( acts ), often called the Setup, the Confrontation, and the Resolution. It was popularized by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting. Based on his recommendation that a play have a "beginning, middle, and end ...
Comedy drama, also known by the portmanteau dramedy, is a genre of dramatic works that combines elements of comedy and drama.The modern, scripted-television examples tend to have more humorous bits than simple comic relief seen in a typical hour-long legal or medical drama, but exhibit far fewer jokes-per-minute as in a typical half-hour sitcom.