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Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though ...
Batik painting is the result of the development of batik art. The essence of batik painting is the process of making batik that does not use traditional motifs that are commonly found. The resulting motifs are the creation of the maker, usually producing contemporary (free) motifs or patterns with brighter, more striking colors, and more ...
An oil pastel is a painting and drawing medium formed into a stick which consists of pigment mixed with a binder mixture of non-drying oil and wax. They differ from other pastel sticks which are made with a gum or methyl cellulose binder, and from wax crayons which are made without oil. The surface of an oil pastel painting is less powdery than ...
A colored pencil ( American English ), coloured pencil ( Commonwealth English ), [1] pencil crayon, or coloured/colouring lead ( Canadian English, Newfoundland English) is an art medium constructed of a narrow, pigmented core encased in a wooden cylindrical case. Unlike graphite and charcoal pencils, colored pencils' cores are wax - or oil ...
Lining of paintings. The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining.
Oil paintings. Oil paint is a medium made up of pigments and a drying oil binding agent. Various other ingredients can be mixed in to condition the paint in several ways and modify its various properties and drying. Oil paintings are painted on various surface support types. Oil on canvas, oil on board, and oil on metal are only some examples ...
During the 18th century, new techniques were perfected for the restoration and conservation of ancient works of art, including methods of detaching fresco paintings from walls. Detachment involves separating the layer of paint from its natural backing, generally stone or brick, and can be categorized according to the removal technique used.
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